Remembering those who fought, died, and lived through the First World War, 11-11: Memories Retold captures your imagination with vivid artistic presentation. Despite not being an action-packed or violent war game, it manages to pack a hefty emotional punch.

A performance masterclass, coupled with impeccable artistic direction and a gripping humanitarian narrative, 11-11: Memories Retold stands as one of the greatest anti-war games to ever grace the medium.

The adventure 11 - 11: Memories Retold is little game, but it tells an emotional war drama that resonates for a long time.

While telling its tale, 11-11 does a tremendous job of showing players what the world was like in 1916; news travels extremely slowly without the likes of smartphones, and even Harry’s photography is impacted – it’s too expensive to be able to take and process more than 16 photos per day.

11-11 is a beautiful and dramatic adventure game that recreates the Great War with respect and great sensitive, but only at the end you really engages to the story.

11-11 Memories Retold focuses on two different fates and is more intimist than Valiant Hearts: the Great War. It takes some distance with historic reality to tell a well written and luminous tale. Maybe too luminous, though.

Conceptually this is an interesting remembrance artwork for the first World War. The challenge level is low though and there is a lack of ruthlessness. Entertaining nonetheless.

Fanise’s new game feels like an interesting way of remembering the Great War, but it does not take full advantage of the possibilities offered by the video game medium.

It's uneven, yes, but there's undoubtedly more good than bad, and there are poignant scenes, tense moments and breathtaking images that will resonate long after the end credits have rolled.

A brilliantly interwoven story of friendship and war is let down by simple gameplay and constant distractions. The few interesting mechanisms and a good script simply cannot carry the whole game on their back.

11-11 is neither an example of good impressionist art, nor a good war movie or a good video game. It’s unbearably pretentious and so shallow it does not reach beyond simple platitudes (“not all Germans were evil”, “global conflicts affect ordinary people too”). It’s sad that brushing against a mature subject and going for an artsy feel is enough to make many people overlook obvious flaws of a game (in this case poor gameplay, among other things) and the fact that games as a medium are light years behind movies in terms of storytelling. [01/2019, p.74]