Garage: Bad Trip is an unrelenting barrage of camp horror and ridiculous action sequences whose grungy VHS aesthetic will likely appeal to cult-movie enthusiasts, while also managing to be well-structured, accessible top down shooter with its very own grotesque thrills.

Garage: Bad Trip is an unrelenting barrage of camp horror and ridiculous action sequences whose grungy VHS aesthetic will likely appeal to cult-movie enthusiasts, while also managing to be well-structured, accessible top down shooter with its very own grotesque thrills.

GARAGE: Bad Trip is a top-down twin-stick shooter that wants nothing more than to impress and excite. The sleek visuals and sublime sound design lure you in, then the fast-paced, challenging combat keeps you hooked on clearing level after level. However, missed opportunities and wasted potential take their toll on the game, limiting gameplay variety and giving rise to the game’s tamer moments.

Dead on time: Garage: Bad Trip presents itself as a fast-paced zombie shooter for very experienced or frustration resistant saviors of the world.

It tries to balance it’s graphic gore with classic tropes and it’s suspense with moments of the ridiculous, but leans heavily into its Splatterpunk influences.

It tries to balance it’s graphic gore with classic tropes and it’s suspense with moments of the ridiculous, but leans heavily into its Splatterpunk influences.

I feel like there's a lot of potential to be found in GARAGE: Bad Trip, but the poor controls and lacklustre sound design spoil an aesthetically interesting game.

The twin-stick genre is one of my favorites and I can’t help but take it a little personally that Bad Trip only made half the journey toward being a great game. Here’s hoping that Zombie Dynamics can build on their solid aesthetics and create an experience worthy of such a slick look next time out.